In his preface to G as Flower, Pachomius Thiellement presents its author Scott Batty. This artist p

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Gas flower is a small object printed 7X10 inches, a tiny book, but quite thick. Deviant and morbid Gas Flower is ideally made to be layered in soft, hidden voyeur and attentive. This portfolio multiplies so front and close dozens of portraits redesigned and transformed. The majority of these portraits evoke bodies, or the nightmarish wine cellar auckland visions, like flashes of madness

morbid loans and sexual. This review without text or history gives us explicit wine cellar auckland edits aesthetic developed with very basic material consists of press photos. We easily wine cellar auckland imagine pictures of patients, third degree burns of dementia, s death, women and men hidden behind masks ambiguous expressions. These faces fit most of the time in an oval pale skin that hides appear to leave the eyes and mouth which may be empty, assimilated to orrifices gaping and hollow suggesting death or madness. We stared at by our deepest fears by expressing the total loss of control and the expression of a complete psychological savagery. The succession of portraits is sometimes enriched by some incongruous elements in trompe l'oeil: a christ, birth of a skull or pornographic pictures in material. Malgrés this violence visual "reading" Gas Flower is not difficult, quite the contrary. This gallery is fun, because ultimately everything is true and nothing is true in all this. We try to find the bare face painting and living in the expression of a glance, understand the articulation of these assemblies and finally to determine the amount of document processing.
In his preface to G as Flower, Pachomius Thiellement presents its author Scott Batty. This artist poet, performer and painter came to painting after a meeting with the work of the American Rothko. Note that Rothko is known for its pictorial and movement "colorfield painting". The objective of "colorfield painting" is releasing his first color and figurative localisantes functions so that it is sufficient to itself. Thus, any representation is excluded, and the work ignores the form to complete phase meditative (spiritual aspect is essential). Pachomius Thiellement also notes in his preface that it is this meditative and spiritual dimension, "the power of the image to create worlds" that attracted Scoot Batty at Rothko dimension that translates through his collage work and mixed media.
Probably to signify the symbolism that contains raw art Scott Batty, Thiellement Pachomius also established a parallelism between the symbolic and magical thinking approach haoukas of Ghana. The haoukas are members of a sect African practice wine cellar auckland of trance possessions very well known, especially thanks to the films of Jean Rouch. In these trances the haoukas develop and invent new gods. Portraits of Betty Scott, near trance wine cellar auckland and possession wine cellar auckland emerge in their own way and a new pantheon are also some takeover of the unconscious over the conscious and the real. This is simply figurative figure art brut modern link with new forces and mythological figures in constant evolution. wine cellar auckland
Posted by scott batty, July 29, 2008 at 15:02 | | Reply